The story is sexually explicit and honest without ever feeling graphic and gratuitous, and that would distinguish Cam enough, but when a ghost in the machine starts imitating Alice, and picking up her fans, that's when it takes a fascinating sharp left turn. Alice (Madeline Brewer, best known as The Handmaid's Tale's Janine) has her working relationship with her regular viewers, and makes a comfortable living (that she has to hide from her family). Mazzei, herself a former camgirl (don't pretend you don't know what that is), writes what is first and foremost a rare and charming insight into the life of an online sex worker. Yes, it may be rare to see technology and terror, but not unprecedented, and the debut feature of Daniel Goldhaber and writer Isa Mazzei depends on the intersection of menace and the internet. It's rare to see a horror film that embraces, rather than rejects, technology. Plus Parker Nathan's script dodges the tropes of having the scientist pretend that floating teddy bears and uncanny deaths can be explained by physics. When a way to communicate with those they lost appears, that's why they leap on it. Ethan and Matt's tense sibling sniping, and Becca's infant desolation – a hole in her life that she doesn't quite know to call grief yet – is beautifully mapped out. But where it really flies is in how it handles survivor's guilt. However, he's stirred up a lot more than electrons, and his device may have ruptured the veil between the worlds of the living and the dead.īurns' supernatural horror is genuinely chilling, and features some of the best ghostly designs since We Are Still Here. The family tragedy has forced him to drop out of college, but he picks up his experiment – a wireless electricity supply – in his basement. It begins with a hideous tragedy that befalls the Lightmans, leaving elder brother Ethan (Thomas Mann) caring for his younger siblings Matt (Percy Hynes White) and Becca (Kate Moyer). But this very modern take on the ghost story is unmissable in any format. There was also a brace of female-fronted Midnighters, the subversive survival horror What Keeps You Alive and day-glo punk splatterfest The Ranger.īut what about those movies we haven't seen in Austin yet? Here's 10 of the most fantastical films to play Fantasia that may be heading our way soon.įestival scheduling is a peculiar deal, so while Fantasia crowds got Our House on the big screen, it's already on VOD in the states. Two of Russian producer Timur Bekmambetov computer screen-grab dramas, the thriller Profile and Unfriended: Dark Web, played both, although they were joined in Canada by the upcoming Searching: and if their depiction of digital life seemed too fanciful, then online celebrity documentary People's Republic of Desire showed that it's not that far removed from reality. In fact, there's a big crossover with some of SXSW 2018's more experimental genre titles. ![]() ![]() Scottish zombie musical Anna and the Apocalypse was an audience favorite at Fantastic Fest 2018, and is just waiting for a seasonal theatrical release, whereas Japanese undead romp I Am a Hero was an audience award winner at SXSW 2016 (yes, you read that right). On that list of films that played here first: Two Japanese cartoons, Akiyuki Shinbo's animated remake of Fireworks and Maro Okada's lyrical Maquia: When the Promised Flower Blooms, already got US theatrical release, as did glorious retro-slasher Summer of 84 (still in Austin theatres this week). Many titles that have either played Austin festivals already get their Canadian debut, but there's a host of films that have either already been confirmed for an Austin premiere, or will be turning up in theaters or on VOD soon. Yet with the fall rampage just about to bear down on us, it's across the Northern border we gaze for our first clues for the hot titles we may yet see – to Montreal's Fantasia Film Festival.ĭepending how you look at the year, the three week Fantasia (which wrapped up last week), is the unofficial start or end of the festival cycle – maybe a little bit of both. The film festival calendar is a packed, year-round experience (and that's just in Austin). Anna and the Apocalypse, one of the weird and wonderful movies that played Montreal's Fantasia Film Festival after playing Austin - but what about the movies they'll be sending our way?
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